Slumdog Millionaire

Slumdog Millionaire is a sweeping, hopeful story about a boy, Jamal, in the slums of India who becomes an instant celebrity after he wins millions on India's version of Who Wants to be a Millionaire?. Jamal, being interrogated for fraud by the police, who cannot believe that a "slumdog" orphan could possibly have known the answers to the questions on the show.

In the police station, where Jamal (Dev Patel) is tortured to get him to confess how he cheated, to his appearance on the show, to the events throughout his youth that led to him knowing the answers to the game show questions. How did a boy growing up in the slums amid piles of garbage and filth know which US president is on the one hundred dollar bill, or who invented the revolver?

Film takes us back through Jamal's life story to show us the mean-streets education that led to him knowing the answers, while managing to avoid making the set-up feel contrived.

The scenes that take place during the game show are a masterwork of interplay and intellect, as Jamal duels verbally with wealthy, narcissistic host Prem Kumar (veteran Bollywood actor Anil Kapoor), who's sort of a Hindi version of Regis Philbin. There's a certain level of class struggle going on within the framework of the game show, pitting the wealthy, arrogant host against the soft-spoken, affable kid from the slums. Kumar, fearing that the eminently likable young man might detract from his own popularity with the audience, taunts Jamal for being a poor chaiwalla (tea bearer) and subtly -- and not so subtly -- tries to get Jamal to cash in and end his winning streak. What Kumar doesn't get is that Jamal's not really in it for the money at all.

The heart of the film, though, is the thread of love and friendship between Jamal and another young orphan, Latika, who's befriended by Jamal and gruffly tolerated by his older brother. The trio call themselves "The Three Musketeers" -- Jamal and his brother having been enraptured by the classic tale when they attended school before their mother died. Fate, life, and adults preying on the vulnerable youth of Mumbai's slums conspire to keep Jamal and Latika apart, but Jamal never sways from his belief that he and Latika are destined to be together.

This love story, interwoven throughout the film, lends a classical, metaphorical level to the film that adds depth to its mainstream-audience friendly, accessible surface. Orphaned children in places like Mumbai are easy prey for adults who force or coerce them into servitude as beggars, prostitutes, and criminals. Jamal's older brother succumbs to the lure of crime as a path out of poverty; Jamal, on the other hand, does what he has to in order to survive -- when you're five years old, homeless and starving while the adults around you kick you around like a dog for merely trying to scrounge enough to keep from dying, the morality of theft and ownership doesn't really amount to much -- but he never loses his sense of fairness, justice and compassion.

Jamal's pursuit of Latika is single-minded; She is the only thing in his hard-knock life that he's ever cared about other than his mother and brother. Even when Latika gives up and resigns herself to the life of abuse that it seems fate has mapped out for her, Jamal is her white knight, relentlessly fighting to free her from the prison in which beauty and destitution have trapped her.

There's sadness and tragedy within Slumdog Millionaire -- starvation, genocide, child prostitution and overwhelming oppression -- but there's humor, humanity and dignity as well. Boyle, stepping outside the UK to focus his lens on India, seems to have freed himself here to bring his brilliance as a director to its fullest fruition. Slumdog Millionaire is Boyle's best film to date, which is saying quite a lot; He's made a joyous, fun, and wonderfully accessible film that should play well in Toronto before moving on to wider release.

Source : www.cinematical.com